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Archive | New York Theater News

Actor, Playwright, Librettist, Agent, reviewer, and Broadway icon Richard Seff reviews NYC shows and offers us a taste of the Golden Age of Broadway, in which he played a supporting role.

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Review: ‘The Home Place’ at Irish Repertory Theatre

Brian Friel’s play, The Home Place, has taken its time to find its way to New York, where it arrived in good hands at the newly renovated Irish Repertory Theatre off Broadway. The play premiered in 2005 at the Gate Theatre in Dublin before transferring to the West End n London and is only now having its […]

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An Interview with Erik Ransom on the Development of His New Play ‘Civil Blood (The Resurrection of Romeo)’

Just back from a production of his musical GRINDR: The Opera in Florida, Erik Ransom organized a private developmental reading of his latest work Civil Blood (The Resurrection of Romeo) for an invitation-only audience. The new play, set in 1585 and 1982, is an inventive vampire sequel to Romeo and Juliet that combines the time-traveling […]

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Fringe Encore Series 2017 Review: ‘Kafka and Son’ at SoHo Playhouse

In November 1919, the 36-year-old Modernist writer Franz Kafka wrote a searing 45-page letter to his domineering father Hermann, dissecting his tyrannical attitude and lifelong emotional abuse. That scathing indictment, which was never delivered to its intended recipient, provided the inspiration for Alon Nashman’s piercing solo show Kafka and Son. The intense one-hour adaptation, co-devised […]

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Review: ‘Kinky Boots’ at the Academy of Music

Drag queens save the day and light up the stage in Kinky Boots, making its return to Philadelphia for a limited run this week at the Academy of Music. Presented in the Broadway Philadelphia series by the Kimmel Center for the Performing Arts and The Shubert Organization, the national tour of the 2013 Tony Award-winning […]

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Review: ‘A Clockwork Orange’ at New World Stages

Ranked among the greatest novels of the 20th century, A Clockwork Orange – British author Anthony Burgess’s alarming vision of a dystopian future fueled by ultra-violence, hyper-sexuality, and readily-available drugs – has inspired a range of controversial cutting-edge adaptations since its publication in 1962, from Andy Warhol’s experimental underground film Vinyl (1965) to Stanley Kubrick’s […]

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A Recap of The 2017 New York Innovative Theatre Awards at the Gerald W. Lynch Theatre

It was a night filled with excitement, laughs, and unbridled passion for indie theater as the New York Innovative Theatre Foundation celebrated the outstanding achievements of Off-Off-Broadway for its thirteenth year, in a ceremony held on Monday at the Gerald W. Lynch Theatre, John Jay College of Criminal Justice. Four-time host Jason Kravits – known […]

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Review: ‘If Only… a Love Story’ at The Cherry Lane Theatre

The Cherry Lane Theatre, in Greenwich Village, is offering a new play by a New York playwright, Thomas Klingenstein, whose earlier works have been seen at the Lark Theatre Lab, the Atlantic Theatre  Studios and the New York Historical Society. Clearly, he’s done his apprenticeship, and now we have his full-length play with an excellent […]

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Review: ‘Prince of Broadway’ at the Manhattan Theatre Club

Hal Prince, producer/director extraordinaire is far too modest. His new offering at the Manhattan Theatre Club is so vastly entertaining that I hereby elevate him from PRINCE to KING OF BROADWAY for masterminding this two and a half hour extravaganza which he’s managed to accomplish with just nine very talented actors. Part of Prince’s gift […]

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‘No Ransom To Be Paid’ at Pangea: An Update on ‘GRINDR: The Opera’ and More with Erik Ransom

Featured this summer in producer Ed Miller’s No Ransom To Be Paid four-part series at Pangea, the presented works of writer/composer/musician/actor Erik Ransom include songs from More Than All the World – his epic musical reinvention of Christopher Marlowe’s bio-play on the life of England’s King Edward II – and an hour-long concert version of […]

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Review: ‘A Never-Ending Line’ at The Players Theatre

Conceived by Composer and Director Jaime Lozano as a loving tribute to the women in his life and his matriarchal upbringing, A Never-Ending Line, produced by Maribel Escobosa, Martha Orendain, and Victoria Kühne, presents a cycle of seventeen songs written by nine female lyricists set to his original music. The show, which made its New […]

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Review: ‘Lili Marlene’ at St. Luke’s Theatre

Taking its name from the romantic wartime ballad famously recorded by Marlene Dietrich in 1945, and which, in its earlier German and English versions, had become uniquely popular with both Nazi and Allied troops during World War II, Lili Marlene, with book, lyrics, and music by Michael Antin, makes its East Coast Off-Broadway debut at […]

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Review: ‘Gruff!’ at the McGinn/Cazale Theatre

Part of the first Summer Family Theater Festival at the McGinn/Cazale Theatre, Gruff!, a co-presentation by Vital Theatre Company and Doppelskope, is everything that great children’s theater should be. The ecologically-conscious musical fairytale, with concept and text by Ora Fruchter and Christopher Scheer and music by Toby Singer, is entertaining, engaging, and educational, in its […]

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